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Forever Overhead

by Saint Brazil

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1.
I haven’t awoke to your voice in a long while. Let me remove my head from my hands to pull the sheets back, only to realize that I’ve fallen asleep to the answering machine again. Yeah, well I would let go if I knew where that would leave me. Is there solid ground between “breakdown” and “complete?” My fingers ache, and this would come as a relief if I wasn’t left to finish the bridge you left incomplete. The irony is lost on me: I’m left waiting to receive your call. I gave just enough cord to choke my voice off. Yeah, well I would let go if I knew where that would leave me. Is there solid ground between “breakdown” and “complete?” My fingers ache, and this would come as a relief if I wasn’t left to finish the bridge you left incomplete. This note is none of your concern—just write it off, don’t say a word.
2.
614 03:54
Car exhaust and cracked pavement have me in a slumber. I’m humming softly, trying not to forget your number. A rhythm practiced is a dance earned, but I’ve ran out of coins for the juke box. Leave your pockets upturned, empty the bus-fare that’s your hiding in your sock. Restless hands need something to grasp; restless hands reach for the hem of your dress. Restless heads make rustled sheets; restless heads are left to sweat not sleep. Save me a prayer ‘cause I’ve exchanged all mine for a little more time with you, to try to make you mine. A heavy heart puts its weight on the gas ‘cause I’ve spent all my reason at your expense. I could never take a hint, romance never made much sense. Restless hands need something to grasp; restless hands reach for the hem of your dress. Restless heads make rustled sheets; restless heads are left to sweat not sleep. Restless hands are grabbing at a thread; restless hands unravel what was promised them. Restless heads are left counting sheep; Restless heads are left to breathe not speak.
3.
Central Pennsylvania sundown: the clouds ripple and swell like curdled milk. And I swallow it up Into my lungs— keep it down, grip the wheel with my back to home. Ahead of me I can hardly see the sun—nothing but crumbling cement and pretty pollution. Behind me, your stare glitters like broke glass. You fail to burn up, a season that just won’t pass. Sullen royalty lines these streets—graying gowns and no water to wash their sheets. I wrap myself in all they offer. Smother myself and hide what’s left in my breast’s coffer. Ahead of me I can hardly see the sun—nothing but crumbling cement and pretty pollution. Behind me, your stare glitters like broke glass. You fail to burn up, a season that just won’t pass. All we said could have been said better if we knew what to say when it mattered.
4.
In the gloss of sentimental eyes, I see my reflection in the dewy windows of abandoned cars. I see scrawled initials, exhumed by fog summoned by the April rain. It seeps deep into the ground (it seeps deep into the ground), but no flowers bear its name. In the soft tracks trodden in sandy soil I see pine needles and beer bottles. I see faint footsteps cemented by the April rain; life collects (life collects), but dwindles away. In the shadows cast by moonlight I see a shadow dissolve like taillights. Our spark cannot be kept alive because of the April rain.
5.
Buy Clay 04:05

credits

released May 4, 2011

Recorded by Len Carmichael at the Sound of Revolution in Trenton, NJ.

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Saint Brazil Marlton, New Jersey

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